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Making Metafiction

  • About Ayah
    • Bio / CV
    • Artist Statement
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    • YouTube
    • Delta Phi (2017)
  • Writing
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Project Management for Filmmakers: Margin

March 1, 2017 Ayah Abdul-Rauf

Whether I’m making a film or a novel or any other kind of long story, project management is key. I’ve learned a lot over the last several years about which aspects of project management are worth the investment and which are worth abandoning. I’ve made a lot of mistakes, but I’ve learned a thing or two about margin that is worth sharing today.

Like the hole-punched side of your binder paper, margin in a project is about having extra space. You have to have room for error. I’m often told that my projects are ambitious, but in truth, I try as much as I can to underestimate how much I’ll be able to do before my deadline. Then if there’s extra time deep into a project, I have a better perspective on how to use it than I would at the start of a project.

Margin isn’t just scheduling, though. It’s also about archiving and project security. In the case of video, project security is all about backups. If I think I’ll get 1 or 2 terabytes of footage, I get a 4 terabyte drive. I back everything up and I have a backup plan for the backup plan. I’m almost irrationally cautious about how I store, carry and use my hard drives. Every measure is worth it if it can protect me against losing just one aspect of the project. Other aspects of project security can include considerations of your resources. Know your priorities ahead of time so that if things don’t go as planned, you know what compromises you are willing to make and which things you simply can’t compromise. Be conscientious about where, when and with whom you share your ideas. This isn’t just important with film, when so many things are required for production. It’s important for writing, too, because even when you’re writing a novel, you’ll have to make difficult decisions about what your project is going to address and what things have to go to the wayside.


Archiving has more to do with having a good workflow and doing a favor for your future self. It’s easy to know what all the pieces in a project mean when you’re in the center of the work, but neglecting organization and archiving your ideas, records and progress is a major loss. A record of your project is, in itself, a potential piece in and of itself! There’s two stories to your project: the end result and the tools you used to make it. Keep your sketches, notes, and mind maps; and organize them for future study. How can you expect to write metafiction if you don’t respect the form of the process itself? Have a sense of pride and respect for the learning process as you go along, and don’t cast off old drafts in shame. Your future self will thank you; and who knows? Perhaps someday others will want to see what’s behind the finished result, and you’ll be ready with something to share.

This is the first in a four part series on project management. Come back next week to learn about delegation and vulnerability. 

In film, work habits, workplace Tags project management, filmmaking, writing, writing habits, margin, leadership, project management series
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Top 5 Resources for Writing to Character

February 22, 2017 Ayah Abdul-Rauf
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Characters & Viewpoint (Elements of Fiction Writing)
$12.37
By Orson Scott Card

This book is one of the most frequently cited texts in workshops and writing panels. The MICE quotient, Cinematic Third Person and many other methods writers use today were first introduced by Card in this book. While I personally don’t ascribe to all the methods, I love recommending it because it’s succinct and shares a lot of principles that are useful for scriptwriters.

Kicking In the Wall: A Year of Writing Exercises, Prompts, and Quotes to Help You Break Through Your Blocks and Reach Your Writing Goals
$12.57
By Barbara Abercrombie

Books of writing prompts are usually not good for much else other than warms ups and pure technical training. This one is special. The exercises are well thought out, and can be applied to your character’s experiences or your own. Either way, I find that they draw out fresh conflicts and details. They compel my characters to move.

Alone With All That Could Happen: Rethinking Conventional Wisdom about the Craft of Fiction
By David Jauss

This book has the most eloquent explanations of conflict and point of view that I’ve come across. It’s directed more towards novelists than screenwriters, though. A good alternative for this if you are just just focused on screenwriting is Judith Weston’s The Film Director’s Intuition, which has a part on rehearsal techniques that can also provide a nuanced understanding of character perspective.

45 Master Characters: Mythic Models for Creating Original Characters, Revised Edition
$10.93
By Victoria Lynn Schmidt

For the most part, this book is exactly what it sounds like. It categorizes and describes character archetypes. Good for both writers and academics, but the real meat is in the back. She breaks down methods of change for characters (character arcs) and presents dichotomous solutions to well known character structures. (For example, the feminized version of the hero’s journey that we witness in The Wizard of Oz)

The Undiscovered Self: The Dilemma of the Individual in Modern Society
$7.43
By Carl G. Jung

Anything by Carl Jung is valuable, really. 

This guy breaks down symbols and the way that pervasive narratives represent and shape our inner conflicts as human beings. If you want to write human characters, this will fascinate you. Start with his theory of the anima/animus; it will give you a deeper understanding of what characters are to us and to each other.

I hope that those resources prove useful for you. If you’re looking for good examples of stories that characterize people sublimely and are easy to learn from, check out Inu-Yasha, Breaking Bad, the novels of Brandon Sanderson and anything by Jane Yolen. It’s also useful to examine multiple retellings of a classic story and witness how the characterization has changed across versions, as well as the traits that are preserved.

In character development, work habits, inspiration Tags characterization, books, writing, barbara abercrombie, david jauss, carl jung, orson scott card, victoria schmidtt
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Wrapping Up Production

February 15, 2017 Ayah Abdul-Rauf
That's a wrap!

That's a wrap!

We wrapped up shooting this past Sunday. Some of it was a tight fit, and I’m a little nervous about the edit, but deadlines demand that we move on from production.

We spent the last day shooting outside, braving the freezing wind with periodic sprints to the car for lens changes and nutrigrain bars. Just five of us total that day to ensure that we could fit in the vehicle and move about easily. It was the least structured, least planned aspect of the script; which throws me in hot water but actually placed my DP where she felt most comfortable: making intuitive decisions in the moment. She definitely came through in that respect and I was counting on it.

The day before I walked the talent and AD through my annotations for the climactic scene, and not for the first time. We shot it last, and my exhaustion was both evident and necessary. The drive in the camera was being a fool and we did lose a couple of takes, but that’s the only loss of assets we experienced for our very first feature length film, and to be honest, I consider that I victory. I’m tremendously lucky to have worked on this project but it’s too early to celebrate. I have two and a half months to complete an edit, build a press kit and screen it. I’m optimistic that I was able to get this far, and I genuinely believe that anything is possible if it’s destined to happen.

I’m hosting a workshop on characterization this afternoon, and I’m up to my eyes in schoolwork. I couldn’t be more grateful for all the help that’s been offered to me in regards to this project, and to those who are invested in following my progress all along.

Peace,

Ayah

#DeltaPhiFilm

In art, Delta Phi, film, work habits Tags metafiction, deltaphifilm, delta phi, ayah abdul, this ayah, shethewriter, filmmaking
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